Blast from the past, looking to the future

While reading our local paper online the other day I saw a link to a story about an older belly dancer. Clicking over confirmed my suspicions, that it’s about Baltimore area dancer Samara. Kallisti Tribal had the pleasure of meeting Samara at one of our first performances. A local restaurant hosted haflas for awhile and we were lucky to perform at a couple of these incredibly fun (and supportive to our baby troupe) gatherings.

I remember watching Samara dance and thinking thank goodness I’d taken the plunge to try classes and keep up with them, to find other people I enjoyed dancing with, to get involved in this community. When I am Samara’s age I hope I am still doing my dance thing! I also hope I have her attitude too; after our performance she declared, with a big laugh, that Kallisti was “sexalicious”.

Here is the story with a lovely pictures of Samara dancing and zilling away.

And here is a link to our 2006 photo gallery which has pictures from some of those Amer’s shows. Nine people, nine!, in the small performance space in the middle of of the restaurant, with audience on all sides. I’m so proud of how hard we worked for these shows and that we took the plunge and put ourselves out there.

Time flying, making up time, long post!

So after about a month, my previously mentioned back pain finally worked itself out. It took so long because I had to fill in for a coworker at a job that kept me on my feet, and that combined with my two shifts a week at my other job (I co-own a cafe) as well as generally high stress levels made me a tense mess. I'm being very careful while doing yoga now, because I think an over enthusiastic arm-sweep-up-and-back-to a slight-backbend-while-in-a-lunge is what did me in. Dancing doesn't bother it at all, though, and that's good because though I'm off the Year of Practice I had still been dancing regularly.

Last year some dance friends and I started tossing around the idea of putting together a tribal (mostly improv) show for the 20th Anniversay of the Spoutwood Farm Fairie Festival. This is the place where I first saw tribal bellydance, and I was eager to find a way to honor that inspiration and my 10th year volunteering at the festival. Talis (who introduced me to the festival) and Jenn of Lilam were also interested in pulling something together, both because it would be fun to dance at such an amazing event and because we'd already be there volunteering, so why not?

We met in December to draft a proposition email to send out to dancers we wanted to work with, and everyone started getting together in February. We pulled 10 dancers from 5 troupes (and 1 soloist) to work up three 40 minute sets for 2 days, featuring large group ATS pieces, solos, small group improv or choreographed pieces, and general dancing with the crowd. It was incredibly fun and an incredible amount of work. Just getting everyone fully on the same ATS page was tough, then picking music, putting the sets together, agreeing on costumes, finding places to dance (we could only get one stage slot so we did "ground" sets too), and making sure everyone arrived at the right time and place became a logistical nightmare. Plus the three of us were managing our own volunteer duties and two of us had wrangle out camping gear too. Thankfully everyone was very professional, and we had some great shows.

For the festival we used the name "The Faerie Ring Dance Collective", and our bio read:

Inspired by the spirt of collective creativity manifested at Spoutwood
Farm and the Fairie Festival, the Faerie Ring Dance Collective brings

together 10 dancers (from 5 troupes and 1 soloist!) to create

performances imbued with passion, fun, and friendship. Grounded in
group improvisational tribal style bellydance, FRDC weaves together
our various styles into a magical expression of the joy of dance.

Our videos:

The full Saturday afternoon stage set (I am in the group pieces, the fast dueling duets, and the basket piece with the rest of Kallisti Tribal).

Transcendence Tribal Bellydance Collective from Talis on Vimeo.

Youtube has the Saturday afternoon ground set and the stage set divided into different pieces. I'm in the group pieces and with Kallisti doing "Amel" with zills. Oh, the tricky stops and starts! Oh the tricky soundsystems! The first part of the ground set is here and the first part of the stage set is here. I think there are nine videos per set. Sadly we have no video of the Sunday set, which happened under a tent were we sheltered from the rain. It was crazy, it was muddy, and it was magical. Those are always the performances that you miss filming!

You'll notice that the name listed for the performance is Transcendence Tribal. That's because this one-off plan has turned into a perma-project. We decided to keep going because we like dancing together, we like have the opportunity to do big group ATS, and it's nice having such a large group to pull from for certain performances. All of the individual members are keeping with their solo or troupe projects too, but we plan to get together once a month to hang out and dance, and then add more practice time as needed. We've also added three more ATS dancers, but we're going to hold it there for the time being to keep things manageable.

Our next performance was at Troupe 'Hip'notic's Summer Solstice Hafla. This hafla is a lot of fun, as it's a community event with all experience levels celebrating the summer and dancing. I particularly enjoyed Tribal Remix's passionate fan veil piece, and Cypress's sword duet. Post-hafla we retired to an after party and caught up with dancers we NEVER get enough time to see. Kallisti Tribal has long considered 'Hip'notic to be a sister troupe, after bonding backstage at a Tribal Pura show. That night's discussion of "the things you do in practice that would get you kicked out of the local bellydance scene if you did them in performance" was an inspiration for the Inappropriate Hafla. For the Solstice hafla, Jenn and Spiral were both feeling awful. I am incredibly proud of both of them for holding their own while under the weather, especially considering they danced again that day with Lilam. I really liked dancing this performance, I felt very connected to the troupe which can be hard for me as I tend to think two steps ahead.

Transcendence Tribal at Troupe Hip'Notic's Summer Solstice Hafla 2011 from Talis on Vimeo.

Next up was Baltimore Pride. We rounded up a big group to put on a show for the last set of the day at the Pride festival. As soon as we started a handful of people rushed the stage, and danced along the entire time. It was tough doing an outside gig in Baltimore City in the summer (hot! humid!), but we had a great time and the organizers were really happy with our set. If we do it again I hope we have time to do some "dancing with the crowd" songs to round things up. I'll admit, I felt pretty special at the festival, people kept stopping us to take pictures. It reminds me of how what we (BDers) do is really unusual if you're not embedded in the bellydance culture. Also, a bunch of women in ATS costuming is an impressive spectacle. After the performance we high tailed to a bar near my house for well deserved beers, burgers, and salted caramel and bacon cupcakes. Mmmm mmmm.

Transcendence Tribal Bellydance Collective from Talis on Vimeo.

Our last three for three performance (I had eyelash glue stuck to my eyes for three weeks straight) was at the long running DCTribal Cafe. 6 years ago Belladonna and Mavi (then of Romka, now both dancing as soloists in DC) started this as a professional once-a-month event for tribal and fusion performance. Kallisti was supposed to dance but Oneira had to travel for work. We subbed in Transcendence, and I'm really happy we got to dance the last show at Tribal Cafe's long time location (it's continuing next month at a new spot down the street). It is always tricky dancing there as the space is long, super skinny, and you have three areas you can lead to as well as some people standing behind you. You have to keep your face "on" the entire time, and remember not to stare at yourself in the wall of mirrors behind the main part of the audience. Because of the space challenge, every performance at TC feels like doing it for the first time, and I'm really happy with how the group (six of us) made it work especially considering two of the dancers had never performed there before! We came in with the FCBD Prayer and Lyra's awesome BSG Gayatri Mantra remix, split into duets (which let some of us use non-ATS combos since the song had tricky changes) for the second song, moved to slow dueling duets, and then finished with small groups to the whole troupe for a fast finale (with planned zill changes that were NOT ALL TRIPLES! YAY!).

Transcendence Tribal at Tribal Cafe, June 2011 from Spiral Dancer on Vimeo.

So that's been the past few months. Right now Kallisti is planning the 5th (already!) Inappropriate Hafla (sign up at our website), and TT is down to once a month practices until the Next Big Thing (possible DC neighborhood festival in September). I'm still taking classes with Shems here in Baltimore, though soon I want to start dropping on in Lotus Niraja's new classes. In August I'll be taking workshops with Lisa Zahiya when she visits town, as well as a day of classes with Amel Tafsout (again, yay!). For July, though, most of us have relaxed our dance obligations a bit. We deserve it!

Life updates and video!

Man, this year went from busy, to crazy, to OMFG when do I get a break! After buying and moving into the house, J and I decided sure, we could TOTALLY host the 4th Annual Kallisti Tribal Inappropriate Hafla! Thus began the 6 week scramble to get the house guest ready, which included shoving things in closets the night before the party.

The hafla was wonderful! The weather was gorgeous, the performances inspired, we packed at least 50 people in our backyard, the neighbors didn't seem to care about the yelling , and some guys in the house behind ours pulled up chairs to enjoy the show. The evening ended with a handful of us hanging out in the backyard and eventually having pizza and wings delivered. It was a great housewarming-ish party. I'm posting videos and a write up below, but there is one more thing going on.

18 months ago I lost my job managing a local cafe and home goods store when it closed. 9 of us from the business stayed in touch, purchased the cafe equipment, and started planning a worker-owned cafe for Baltimore. After a lot of planning, hard work, worrying, and help from our friends, Charmington's opened Friday. The name is a combo of the names of the neighborhoods we straddle, offered to us by a friend who has always wanted to use it for a business. The reception has been fantastic! We're riding the wave of a successful opening, and digging in for the work that is ahead of us. The idea is to serve awesome coffee and light fare, sourcing local and organic ingredients whenever possible. We also want to be a place for the community, and we're already had groups meeting up and knitters hanging out.

Right now most of us also have day jobs or are in school, so on top of my 9-5 I also have an evening/some weekends thing going on. My Tuesdays (troupe practice, now at my house to save money) and Thursdays (class) are non-cafe days, but other than that I am juggling dance events and weekend shifts. I want to have some other dance oriented things at my place. I have thoughts of video nights in front of the fire, and back yard music jams. I also, it seems, must be thinking I can live on no sleep or create an extra few hours to the day! On top of all of this, Kallisti Tribal's 5th Anniversary is this winter and we're thinking about holding a really big party. 5 years in bellydance time is like dogs years, right? We've seen troupes come and go in that time, but we're still hanging in there!

Anyway, to hold you over until my next post I am pasting in my review of the hafla, with videos. This was written for non-dance friends, which is why I explain some things. Hope you enjoy the silliness!

* * * * * *

Ah yes, the evidence.

Kallisti Tribal reveals our true nature, including Justin getting in touch with his inner pretty pretty princess. I highly recommend watching this one on Youtube, so you can read the biography written by my troupe mate Lyra.



Flissy, from my troupe, is also a one half of Verve Tribal. Here they spoof the current "fusion" trend of costuming and stage antics that make you look like a drunk saloon girl. Which some people do on purpose. Priceless. Also, at the very end? Flissy is doing a legitimate move (sometimes called a Berber Walk). A dancer to the very end!



Troupe 'Hip'notic clued us all in to their piece before the hafla. I just wish the video was better because what made it, beyond the costuming and dancing, was their facial expressions. Since this went online Leslie Hall contacted them to let them know she loves it. The white shirts say: Vessel Of Shimmy



One troupe Rick Rolled us. Another did one of their sword choreographies except with phallic paper mache "eggplants" (a play on their name). I missed the who soloist did a great belly dancer inside joke, coming out to greet her adoring crowd to a famous dancer's entrance music (ed. Nagwa Fouad), then promptly skipping to the exit music and wafting off stage. A former Kallisti member steamed up the place dancing to this hideous song called "Lick". I promptly fell out laughing, as she had played it for me once and it was awful. Her dancing was impeccable through it all! There was inappropriate American Tribal Style to metal with punchy hands, and then crazy hats. Not one but TWO Freddie Mercury tributes. A kitty cat dance to Primus' "Tommy the Cat". Sassy blues bellydance. A five minute extended fart joke. I cannot for the life of me remember Lyra's solo music except that it was total rock and she downed an entire bottle of beer while in a partial layback (ed. it was "More Than a Feeling"). Our Femcee did a fantastic time introducing the acts, including riffing on both the bios and the performances. I think I may be forgetting some of them, but it was a big happy blur, made more so by the 7 of us who stayed up late finishing the beer in the cooler (and a flask of rum and a small bottle of Pikeville's Finest). It was truly a great time. Plans are already afoot for next year.

The ATS Mixer

One thing I have heard about ATS, since my first class, was how once you know the common dance language you are able to dance with any other ATS dancers without ever having met them before. When Carolena reclaimed the term ATS a few years back that was one of the big points, having one common movement language for the style, so that it really could be performed by a group of technical strangers (united by their dance).

With this in mind, my troupe decided to put our money where our mouth is and host a mixer. So many of us spend our time in classes or performance prep, dancing with the same (lovely) people and working on the technical aspects of our dancing. The mixer is a relaxed, informal dance get together where we'll set up the space and music and you, the ATS dancers, come to dance and play together. Put that common movement vocabulary to good use and get moving with other ATS lovers, strangers and friends alike. We hope to make this a regular event, so locals please come out and support us!

The Electric Maid ATS Mixer
March 14th 3pm - 6pm
268 Carrol Street N.W.
Washington, DC 20012
(in Takoma Park)
suggested donation: $8

The Mixer is a low-key event for dancers to flex their improv muscles outside of
class or performance, in an intimate, sharing community arts venue. No pressure,
no recital, no judgement, no costumes. Dancers should come prepared to freely
improv with others based on their comfort level in American Tribal Style (ATS)
as established by Fat Chance Bellydance (FCBD).

Note about the dance space - bring dance shoes, the floor is a little rough. And don't forget to spring forward the night before so you're not late!

More details at www.kallistitribal.com

RSVP at the facebook event:
http://www.facebook.com/event.php?eid=463737400606&ref=mf

PS: if you throw in a non-ATS move we won't kick you out, we promise!

Dancing out of the box

This past weekend my troupe had the honor of dancing at our friend Chris's wedding. Chris is Flissy's dance partner in Verve tribal, and they danced too (so Flissy had double performance time and handled it like a pro). This was all at the reception which luckily was indoors, and I say luckily because the weather was in the low 40s and raining all day long. The happy couple had wanted to rent a park pavilion and have an outdoor event, but it was too hard to get alcohol and loud music permits. We did get a chance to "enjoy" the weather for a bit because their wedding ceremony was at the Maryland Renaissance Festival (the original intent was for everyone spending a few hours enjoying the Faire after the ceremony before heading to the reception). It was a bit of wet chaos but right at the crucial moment it all pulled together and they had a lovely, heartfelt ceremony. My SO and I stayed on at the Faire for another 4 hours, hanging out, watching shows and generally feeling like "It's raining? Well we'll still have fun!" before heading to the reception. And dry clothes. A sense of humor, a resignation to getting wet, and a warm dry cloak (for me) make all the difference. 

For the wedding I had proposed the idea of writing a choreography to one of our selected songs (Tim Rayborn, Zaman). It has very quick changes and some tricky bits, so I felt it might be nice to make something definite to the music instead of winging it with improv. I wrote the preliminary choreo, then Flissy and I got together and worked out the tricky or vague bits, then it went to the whole troupe and we polished the whole piece. We'd planned bits of other songs before, and learned a short choreo from Ali of n.o.madic tribal, but this was out first total almost six minute piece. 

It wasn't perfect, we all had bits of "WTF am I doing right now?", but we felt good about the piece and our performance and most of all the Chris and Jason were happy with it and that is what really matters. The hours of troupe rehearsal (five in the 5 days before the wedding) paid off. It was awesome to look over during the intro (we led in with the FCBD dance meditation/prayer) and see Chris's huge smile. We segued from the choreo to improv, first with a slow piece doing dueling duets, and the last was lead out with a very upbeat song by Turku. My SO remarked at one point all four of us let our arm posture give a bit, and I told him I think the long day hit us all right at the same time, but we all perked up and rallied to the end of the set. Then we relaxed with cupcakes and open-dance-floor, no pressure, get your groove on dancing with the guests. 

Things that mystify me

Well thank goodness I have some talented ladies in my troupe, one of whom is a pro graphic designer, because I? Just spent 90 minutes resizing an image and figuring out how to paste it into a blank document in order to fit 4 small flyers per page. I'll try printing it with some left over card stock and linen resume paper (it's time for a new batch) tomorrow so I have them to pass out at the All Seasons Hafla.

On that note, the Third Annual Kallisti Tribal Inappropriate Hafla will be Saturday September 12th! (dancers can contact me about performing)

It's all fun and games until someone loses a bindi. 

May we introduce to you . . .

I realized last night that I have been remiss in making an announcement on this blog. If you've been reading along for a bit you've seen me mention my dance friend Flissy of Verve Tribal. While her dance partner Chris was living out of state we invited Flissy to practice, and then perform, with the troupe. Well everything went amazing well so two weeks ago we asked Flissy to join Kallisti Tribal, and to our delight she said yes!



I love this picture*, it looks like she's throwing some heavy metal "Hell Yeah!" horns.

It's been a lot of fun dancing with Flissy. She is both diligent and serious about her dance studies and she is incredibly playful about her practice (which I really appreciate because I can be a bit "All work, no fun!" and need to get snapped out of that tendency). She completed her yoga teacher training last year, which means we beg her to lead us through sun salutations during practice. To round things out, she's also a great vegetarian cook and amazing cupcake baker, which means she fits right into Kallisti "When We Get Together We Plan On Eating (a lot of good food)" Tribal.

Flissy can still be seen as one half of Verve Tribal, and you can always catch up with her at her site and blog Om Chantress.

Welcome Flissy! We are honored to have you dancing with us!


* I would credit this photo if I knew who took it, so if you know please comment and I'll add the info.